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Hassard says one change in the 1980s was the emergence of so-called superclubs and their function in celebrity culture. Curator Kirsty Hassard says in the 1960s Italy led the way in creating nightclubs where teenagers and 20-somethings could enjoy themselves away from the gaze of parents. Rave parties typically both allow and encourage the wearing of clubwear, deliberately skimpy and outrageous clothing designed for dancing and exhibitionism. However, the seismic shift in nightlife was the emergence of rave culture in the UK. A mixture of free and commercial outdoor parties were held in fields, warehouses, and abandoned buildings, by various groups such 아마추어야동 as Biology, Sunrise, Confusion, Hedonism, Rage & Energy, and many other


"When big venues such as Studio 54 and the Palladium were at their peak there was a lot of focus on which VIPs went where each night. Club culture became commercialised in a way it really hadn't been before and the clubs were in the newspapers all the time." From the Swinging 60s to the age of digital technology, a new show at the V&A Dundee looks at how club design around the world has evolved to reflect the ever-changing music we've danced to over the decades. Moreover, young consumers of nightclubs who tend to binge drink are often found to be less safe during sexual encounters as a result of the alcohol,[102] which could lead to the spread of STDs. With the birth of house music in the mid-1980s and then acid house, kickstarted by Chris Sullivan's The Wag Club[87][88][89] (on the site of the earlier The Flamingo Club), a cultural revolution swept around the world; first in Chicago at the Warehouse and then London and New York City.